Pleasure of the Text. Classics. Culture (the more culture, the greater, more diverse, the pleasure will be). Intelligence. Irony. Delicacy. Euphoria. Mastery. Security: art of living. The pleasure of the text can be defined by praxis (without any danger of repression): the time and place of reading: house, countryside, near mealtime, the lamp, family where it should be, i.e., close but not too close (Proust in the lavatory that smelled of orrisroot), etc. Extraordinary ego-reinforcement (by fantasy), the unconscious muffled. This pleasure can be spoken: whence criticism.
Texts of pleasure. Pleasure in pieces; language in pieces; culture in pieces. Such texts are perverse in that they are outside any imaginable finality–even that of pleasure (bliss does not constrain to pleasure; it can even apparently inflict boredom). No alibi stands up, nothing is reconstituted, nothing recuperated. The text of bliss is absolutely intransitive. However, perversion does not suffice to define bliss; it is the extreme of perversion which defines it: an extreme continually shifted, an empty, mobile, unpredictable extreme. This extreme guarantees bliss: an average perversion quickly loads itself up with a play of subordinate finalities: prestige, ostentation, rivalry, lecturing, self-serving, etc.
Roland Barthes, The Pleasure of the Text